{"id":533,"date":"2014-06-02T19:26:34","date_gmt":"2014-06-02T18:26:34","guid":{"rendered":"http:\/\/www.carlrosman.com\/?p=533"},"modified":"2014-06-02T19:27:23","modified_gmt":"2014-06-02T18:27:23","slug":"elision-at-harvard","status":"publish","type":"post","link":"https:\/\/www.carlrosman.com\/?p=533","title":{"rendered":"ELISION at Harvard"},"content":{"rendered":"<p>17 May 2014, 8:00 pm<br \/>\nJohn Knowles Paine Concert Hall<br \/>\nHarvard University<br \/>\nCambridge, Massachusetts<\/p>\n<p><strong>Justin Hoke<\/strong> <em>drawn, drowned, myrrh<\/em> (2014) for musette, bass clarinet, contrabass clarinet, percussion (first performance)<strong><br \/>\nManuela Meier<\/strong> <em>genus: cyathea <\/em>(2014) for ensemble (first performance)<strong><br \/>\nEvan Johnson <\/strong><em>Ground<\/em> (2010) for contrabass clarinet<strong><br \/>\nMarta Gentilucci<\/strong> <em>4A <\/em>(2014)\u00c2\u00a0for ensemble (first performance)<strong><br \/>\nChris Swithinbank<\/strong>\u00c2\u00a0<em>traveller, standing in rooms { i \u00e2\u20ac\u00a6 iii } <\/em>(2014) for ensemble (first performance)<strong><\/strong><strong><br \/>\nEdgar Barroso<\/strong>\u00c2\u00a0<em>Innateness is modular<\/em> (2012) for ensemble (first performance)<strong><\/strong><\/p>\n<p>(also works by Timothy McCormack and Ann Cleare)<\/p>\n<p><strong><\/strong>Carl Rosman, contrabass clarinet, conductor (Barroso, Gentilucci)<br \/>\nELISION<\/p>\n","protected":false},"excerpt":{"rendered":"<p>17 May 2014, 8:00 pm John Knowles Paine Concert Hall Harvard University Cambridge, Massachusetts Justin Hoke drawn, drowned, myrrh (2014) for musette, bass clarinet, contrabass clarinet, percussion (first performance) Manuela Meier genus: cyathea (2014) for ensemble (first performance) Evan Johnson Ground (2010) for contrabass clarinet Marta Gentilucci 4A (2014)\u00c2\u00a0for ensemble (first performance) Chris Swithinbank\u00c2\u00a0traveller, standing &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.carlrosman.com\/?p=533\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;ELISION at Harvard&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-533","post","type-post","status-publish","format-standard","hentry","category-concerts"],"_links":{"self":[{"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/posts\/533"}],"collection":[{"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=533"}],"version-history":[{"count":4,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/posts\/533\/revisions"}],"predecessor-version":[{"id":537,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/posts\/533\/revisions\/537"}],"wp:attachment":[{"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=533"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=533"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}