{"id":471,"date":"2013-01-28T07:48:10","date_gmt":"2013-01-28T06:48:10","guid":{"rendered":"http:\/\/www.carlrosman.com\/?p=471"},"modified":"2013-01-28T07:48:10","modified_gmt":"2013-01-28T06:48:10","slug":"yong-siew-toh","status":"publish","type":"post","link":"https:\/\/www.carlrosman.com\/?p=471","title":{"rendered":"Yong Siew Toh"},"content":{"rendered":"<p>Visiting Artist Series<br \/>\n25 January 2013, 6 pm<br \/>\nSteven Baxter Recital Studio<br \/>\nYong Siew Toh Conservatory of Music<br \/>\nNational University of Singapore<\/p>\n<p><strong>Mauricio Kagel<\/strong> <em>Schattenkl\u00c3\u00a4nge<\/em> (1995) for bass clarinet<br \/>\n<strong>Georges Aperghis<\/strong> <em>Damespiel<\/em> (2011) for bass clarinet<br \/>\n<strong>Helmut Lachenmann<\/strong> <em>Dal Niente (Int\u00c3\u00a9rieur III)<\/em> (1970) for clarinet in B flat<br \/>\n<strong>Vinko Globokar<\/strong> <em>Voix Instrumentalis\u00c3\u00a9e<\/em> (1973) for bass clarinet without mouthpiece<br \/>\n<strong>Rebecca Saunders<\/strong> <em>Caerulean<\/em> (2011) for bass clarinet<strong><\/strong><br \/>\n<strong>Brian Ferneyhough<\/strong> <em>Time and Motion Study I<\/em> (1971-77) for bass clarinet<br \/>\n<strong><\/strong><\/p>\n<p>Carl Rosman, clarinet in B flat\/bass clarinet<\/p>\n<p><a href=\"http:\/\/music.nus.edu.sg\/event_details.html?EventID=1082&amp;Year=YearFilter=2013&amp;TypeFilter=&amp;MonthFilter=1\">Yong Siew Toh Conservatory of Music<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Visiting Artist Series 25 January 2013, 6 pm Steven Baxter Recital Studio Yong Siew Toh Conservatory of Music National University of Singapore Mauricio Kagel Schattenkl\u00c3\u00a4nge (1995) for bass clarinet Georges Aperghis Damespiel (2011) for bass clarinet Helmut Lachenmann Dal Niente (Int\u00c3\u00a9rieur III) (1970) for clarinet in B flat Vinko Globokar Voix Instrumentalis\u00c3\u00a9e (1973) for bass &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.carlrosman.com\/?p=471\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Yong Siew Toh&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-471","post","type-post","status-publish","format-standard","hentry","category-concerts"],"_links":{"self":[{"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/posts\/471"}],"collection":[{"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=471"}],"version-history":[{"count":2,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/posts\/471\/revisions"}],"predecessor-version":[{"id":473,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/posts\/471\/revisions\/473"}],"wp:attachment":[{"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}