{"id":78,"date":"2009-04-02T13:31:00","date_gmt":"2009-04-02T12:31:00","guid":{"rendered":"http:\/\/www.carlrosman.com\/?page_id=78"},"modified":"2024-09-16T09:08:40","modified_gmt":"2024-09-16T08:08:40","slug":"instruments","status":"publish","type":"page","link":"https:\/\/www.carlrosman.com\/?page_id=78","title":{"rendered":"instruments"},"content":{"rendered":"\n<p>(\u2026for composers and other curious souls)<\/p>\n\n\n\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-1 wp-block-group-is-layout-flex\">\n<h2 class=\"wp-block-heading\"><strong>\u2018modern\u2019 clarinets<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>clarinet in Eb (Leblanc)<\/li>\n\n\n\n<li>clarinet in C (Leblanc)<\/li>\n\n\n\n<li>clarinet in Bb (Buffet Festival)<\/li>\n\n\n\n<li>clarinet in A (Buffet Festival)<\/li>\n\n\n\n<li>\u2018full-Boehm\u2019 clarinet in Bb (Leblanc)<\/li>\n\n\n\n<li>\u2018full-Boehm\u2019 clarinet in A (Buffet R13)<\/li>\n\n\n\n<li>German-system (full-Oehler) clarinets in Bb and A (F. A. Uebel)<\/li>\n\n\n\n<li>basset clarinet in A (Leblanc)<\/li>\n\n\n\n<li>basset horn (Buffet)<\/li>\n\n\n\n<li>bass clarinet (Buffet)<\/li>\n\n\n\n<li>contrabass clarinet (Leblanc)\u2028 (in Ensemble Musikfabrik concerts or elsewhere you might also see me playing the Musikfabrik contrabass clarinet, which is by Benedikt Eppelsheim)<\/li>\n<\/ul>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-1\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-2 wp-block-group-is-layout-flex\">\n<h2 class=\"wp-block-heading\"><strong>saxophones<\/strong><\/h2>\n\n\n\n<p>(I\u2019m not a \u2018real\u2019 saxophonist but these come in handy for doubling parts)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>soprano \u2013 Selmer S\u00e9rie II<\/li>\n\n\n\n<li>alto \u2013 Selmer S\u00e9rie II<\/li>\n\n\n\n<li>tenor \u2013 Conn New Wonder (ca 1919)<\/li>\n<\/ul>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-2\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-4 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-3 wp-block-group-is-layout-flex\">\n<h2 class=\"wp-block-heading\"><strong>historical instruments<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>chalumeaus<\/strong><sup data-fn=\"ae13bb60-934b-44f9-8e1d-8ebf863726c0\" class=\"fn\"><a href=\"#ae13bb60-934b-44f9-8e1d-8ebf863726c0\" id=\"ae13bb60-934b-44f9-8e1d-8ebf863726c0-link\">1<\/a><\/sup><strong> (all at a\u2019=415)<\/strong>\n<ul class=\"wp-block-list\">\n<li>soprano (in f\u2019) \u2013 one by Guntram Wolf, one by Andreas Sch\u00f6ni with \u2018d\u2019amore\u2019 foot to e\u2019<\/li>\n\n\n\n<li>alto (in c\u2019) \u2013 by Agn\u00e8s Gu\u00e9roult<\/li>\n\n\n\n<li>tenor (in f) \u2013 by Agn\u00e8s Gu\u00e9roult<\/li>\n\n\n\n<li>bass (in c) \u2013 by Andreas Sch\u00f6ni<\/li>\n\n\n\n<li>basson de chalumeau (in F, with thumb keys down to B\u2019b) by Andreas Sch\u00f6ni<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>historical clarinets<\/strong>\n<ul class=\"wp-block-list\">\n<li><strong>at a\u2019=415:<\/strong>\n<ul class=\"wp-block-list\">\n<li>2-key clarinet in F by Jochen Seggelke after Scherer<\/li>\n\n\n\n<li>2-key clarinet in D by Jochen Seggelke after Jakob Denner<\/li>\n\n\n\n<li>3-key clarinet in D by Agn\u00e8s Gu\u00e9roult after Scherer<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>at a\u2019=430:<\/strong>\n<ul class=\"wp-block-list\">\n<li>7-key clarinet in C by Jochen Seggelke after B\u00fchner und Keller (Strasbourg)<\/li>\n\n\n\n<li>5-key clarinet in Bb by Peter van der Poel after Lotz<\/li>\n\n\n\n<li>12-key clarinet in Bb by Joel Robinson after H. Grenser (with corps de rechange for 5-key setup)<\/li>\n\n\n\n<li>5-key clarinet in A by Peter van der Poel after Lotz<\/li>\n\n\n\n<li>9-key basset clarinet in A by Peter van der Poel after Lotz<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>at a\u2019=440<\/strong> or a little higher if I push all the joints in:\n<ul class=\"wp-block-list\">\n<li>13-key clarinet in Eb by Lef\u00e8vre, ca 1830<br><strong>\u2026some pictures and sound to come.<\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>I also have some quite nice <strong>recorders<\/strong> <strong>at a\u2019=440<\/strong>. I use them for improvisations and free scores; for doubling parts (for example in Richard Barrett\u2019s <a href=\"https:\/\/www.elision.org.au\/ELISION_Ensemble\/Opening_of_the_Mouth.html\" target=\"_blank\" rel=\"noreferrer noopener\">Opening of the Mouth<\/a>); and for tootling Handel, Graupner and Telemann purely for my own amusement.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>garklein \u2013 K\u00fcng, grenadilla<\/li>\n\n\n\n<li>sopranino \u2013 Moeck after Rottenburgh, grenadilla<\/li>\n\n\n\n<li>soprano \u2013 Mollenhauer after Denner, boxwood<\/li>\n\n\n\n<li>alto \u2013 Mollenhauer after Denner, grenadilla<\/li>\n\n\n\n<li>tenor \u2013 Yamaha, surprisingly respectable plastic<\/li>\n\n\n\n<li>bass \u2013 Zen-On, maple<\/li>\n<\/ul>\n\n\n<ol class=\"wp-block-footnotes\"><li id=\"ae13bb60-934b-44f9-8e1d-8ebf863726c0\">the standard plural is of course the French one. I don\u2019t see any more\u2028 reason to write \u2018chalumeaux\u2019 than to write \u2018bureaux\u2019, though.<br> <a href=\"#ae13bb60-934b-44f9-8e1d-8ebf863726c0-link\" aria-label=\"Jump to footnote reference 1\">\u21a9\ufe0e<\/a><\/li><\/ol>","protected":false},"excerpt":{"rendered":"<p>(\u2026for composers and other curious souls) \u2018modern\u2019 clarinets saxophones (I\u2019m not a \u2018real\u2019 saxophonist but these come in handy for doubling parts) historical instruments I also have some quite nice recorders at a\u2019=440. I use them for improvisations and free scores; for doubling parts (for example in Richard Barrett\u2019s Opening of the Mouth); and for &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.carlrosman.com\/?page_id=78\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;instruments&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":"[{\"content\":\"the standard plural is of course the French one. I don\u2019t see any more\u2028 reason to write \u2018chalumeaux\u2019 than to write \u2018bureaux\u2019, though.<br>\",\"id\":\"ae13bb60-934b-44f9-8e1d-8ebf863726c0\"}]"},"class_list":["post-78","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/pages\/78"}],"collection":[{"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=78"}],"version-history":[{"count":36,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/pages\/78\/revisions"}],"predecessor-version":[{"id":694,"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=\/wp\/v2\/pages\/78\/revisions\/694"}],"wp:attachment":[{"href":"https:\/\/www.carlrosman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=78"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}