…I don’t put all my concerts here, only ones where I have something particularly interesting to do (a solo piece, for example). There are plenty more at the Ensemble musikFabrik and ELISION concert pages.
ELISION at Stanford II: Bing
28th May 2014, 7:30 pm
Bing Concert Hall
Stanford University
Stanford, California
Andrew Greenwald [66 words]Â (2014) for two clarinets (first performance)
Turgut Erçetin Resonances (2014) for oboe, clarinet, bass clarinet, trumpet and trombone (first performance)
Ivan Naranjo Invisible Grids (2014) for oboe, two clarinets, flugelhorn, trombone and electric lap-steel guitar (first performance)
(also works by Liza Lim, Kurt Isaacson, Jessie Marino)
ELISION/Peter Neville (Erçetin)
ELISION at Stanford I: CCRMA
24 May 2014, 7:30 pm
Center for Computer Research in Music and Acoustics (CCRMA)
Stanford University
Stanford, California
Constantin Basica UNITED WE SAVE (2014) for oboe, two clarinets, electronics and video (first performance)
Laura Steenberge Red Giant White Dwarf (2014) for cor anglais and two vocalising clarinettists (first performance)
Brian Ferneyhough Time and Motion Study I (1971-77) for bass clarinet
Evan Johnson Ground (2010) for contrabass clarinet
Alexandra Hay IM[ ]CES (2014) for mediator, audience and interpreters (first performance)
(also works by Aaron Cassidy and Eoin Callery)
Carl Rosman, clarinet, bass clarinet, contrabass clarinet
ELISION
ELISION at Harvard
17 May 2014, 8:00 pm
John Knowles Paine Concert Hall
Harvard University
Cambridge, Massachusetts
Justin Hoke drawn, drowned, myrrh (2014) for musette, bass clarinet, contrabass clarinet, percussion (first performance)
Manuela Meier genus: cyathea (2014) for ensemble (first performance)
Evan Johnson Ground (2010) for contrabass clarinet
Marta Gentilucci 4A (2014)Â for ensemble (first performance)
Chris Swithinbank traveller, standing in rooms { i … iii } (2014) for ensemble (first performance)
Edgar Barroso Innateness is modular (2012) for ensemble (first performance)
(also works by Timothy McCormack and Ann Cleare)
Carl Rosman, contrabass clarinet, conductor (Barroso, Gentilucci)
ELISION
Not ill, but nervous
1 March 2014, 8:00 pm
Gare du Nord
Basel
7 May 2014, 7:00 pm
Centre Dürrenmatt
Neuchâtel
Sir Peter Maxwell Davies Miss Donnithorne’s Maggot (1974)
Sir Peter Maxwell Davies Eight Songs for a Mad King (1969)
Carl Rosman, voice
Anne-May Krüger, voice
Marcelo Cardoso Gama, direction
Ensemble zone expérimentale/Mike Svoboda
Delusion of the Fury
23, 24*, 30, 31 August, 1*, 6, 7, 8* September 2013, 8:00 pm (*5:00 pm)
Jahrhunderthalle
Bochum
Harry Partch Delusion of the Fury (1965-66)
Ensemble musikFabrik
Heiner Goebbels, direction
Thomas Meixner, instrument construction supervisor
Beate Schüler, musikFabrik project development
Witten: Spiegelbild des Schatten
26 April 2013, 10:30 pm
Johanniskirche
Bonhoefferstraße 10
Witten
Alberto Posadas Sombras (2010-12) for soprano, bass clarinet and string quartet (first performance)
Sarah Maria Sun, soprano
Carl Rosman, bass clarinet
Quatuor Diotima
Huddersfield University
15 April 2013, 7:30 pm
St Paul’s Hall
Huddersfield
Georges Aperghis Damespiel (2011) for bass clarinet (first performance in the UK)
Aaron Cassidy I, purples, spat blood, laugh of beautiful lips (2004-6) for voice
Chikako Morishita Skin, Gelatin, Soot (2013) for bass clarinet (first performance)
Rebecca Saunders Caerulean (2011) for bass clarinet
Michael Baldwin a tenuous/tentative step towards performative awkwardness/clumsiness (2013) for voice (first performance)
Gérard Grisey Anubis, Nout (1983) for contrabass clarinet
Vinko Globokar Voix instrumentalisée (1973) for bass clarinet without mouthpiece
Evan Johnson Ground (2010) for contrabass clarinet
Carl Rosman, bass clarinet, contrabass clarinet, voice
Georges Aperghis
Michael Baldwin
Aaron Cassidy
Evan Johnson
Chikako Morishita
University of Huddersfield
musikFabrik im WDR 45: Stimmungsbarometer
17 March 2013, 8 pm
Funkhaus am Wallrafplatz
Köln
Jarosław Płonka lightly touched/heavily pressed (2012-13) for cello and ensemble (first performance)
Robin Hoffmann An-Sprache (2000) for body percussion
Stephan Winkler Von der Gewissensnot der Insekten (2012) for 17 players (first performance)
also Robin Hoffmann – Stimmungsbarometer (first performance)
Carl Rosman, body percussion (also Bb clarinet, alto saxophone, bass clarinet)
Dirk Wietheger, cello
Robin Hoffmann
Ensemble musikFabrik
Robin Hoffmann – An-Sprache (excerpt)
Montagskonzert: Fundsachen
montagsKonzert der musikFabrik
4 March 2013, 8 pm
Studio der musikFabrik
Im Mediapark 7
Köln
David Young otturato (1992) for clarinet in B flat
Conlon Nancarrow/Raaf Hekkema Three two-part studies (1935)
Ned McGowan Tools (2004/13) for mixed quintet (first performance of this version)
also works by Gubaidulina, Vivier, Corea, Wesly, Lim
Carl Rosman, clarinet in B flat/bass clarinet
Helen Bledsoe, flutes
Alban Wesly, bassoon/curator
Axel Porath, viola
Ulrich Löffler, piano
Yong Siew Toh
Visiting Artist Series
25 January 2013, 6 pm
Steven Baxter Recital Studio
Yong Siew Toh Conservatory of Music
National University of Singapore
Mauricio Kagel Schattenklänge (1995) for bass clarinet
Georges Aperghis Damespiel (2011) for bass clarinet
Helmut Lachenmann Dal Niente (Intérieur III) (1970) for clarinet in B flat
Vinko Globokar Voix Instrumentalisée (1973) for bass clarinet without mouthpiece
Rebecca Saunders Caerulean (2011) for bass clarinet
Brian Ferneyhough Time and Motion Study I (1971-77) for bass clarinet
Carl Rosman, clarinet in B flat/bass clarinet